I chose to color the clay figure I made with blue slip and decorated the cells with pink and red.  The video below is me creating the pink cells!  I am really excited to dry out and fire this piece!  Next is getting it in a cone 10 kiln and then assembling the crocheted yarn with it!

This week I assembled the figure's head and shoulders.  I hallowed out the eyes, mouth, nose, and ears.  All of these hallow areas will connect to my idea of the interior of the body.  I will have the cell patter coming out of these areas.  I will hallow this piece soon and then assemble the bumpy cell forms fading from the shoulders.  After that I will focus on choosing bright colors for the cell pattern on the clay.

This week I started working in clay to begin the ceramic parts of my installations for this semester.  I have sketches for what I want the pieces to look like.  Each ceramic piece still needs to morph into cells.  I will paint them in bright colors using slip. After I get some cells started in the ceramic, I will then create cell-like parts in crocheted yarn.

    My work requires a lot of planning, research, and thought before jumping in.  Because of my fatigue and limited energy, I rarely just start a piece without thinking through what I want it to look like.  This helps me conserve as much energy as possible to create the piece and do more pieces in the long run.  
     This week I did a lot of research and image collection of the conceptual side of my work as well as the visual imagery that I want to use in this work.  I am thinking about color that is found in hospitals, related to science, and the health related events I experienced.  I am noticing the connection to computer technology and medical devices like IVs, heart monitors, and acupuncture.  I am planning on using clear tubing, possibly electrical wire, and bright colors.  I also have been researching the imagery I will want to print on fabric in printmaking.  I will be taking an image of tissue from a person who has EDS, which is shown in the last photos.  I will take this photo and incorporate the printed fabric pattern into the piece. 
     The next step in my plan is to decide what I want it to look like and start creating the ceramic piece.

WHAT work you will make this semester?
 
My focus this semester is to make at least one portfolio piece.  I want it to be a life-size medical experience installation.  I want to play with including video projection or a small screen playing video within the work, similar to the heart monitor found in hospital rooms.  I also want to include lots of wires, cords, and tubes, since patients are covered with those materials when in a hospital.  I want to continue playing with printmaking and crocheted yarn in my piece as well.  If I have time, I would like to do a second portfolio piece.  I am trying not to put too much pressure on myself to make a million things this semester, so I can put the high level of detail and focus that I think this story and piece deserves.
 
WHY are you making this work?
 
            I am making this piece because I have been wanting to make it for a while.  I haven’t made it yet because I didn’t feel ready to include so many new things, but after my recent stay at the hospital and many reference photos I took, I realized how important that experience is in my work.  I felt the need to express that side of myself since it dominates a lot of my lived experiences as a young chronically ill person.  I also haven’t felt I had the time or patience to create such an elaborate and intricate piece until this year.
 
HOW MUCH work do you intend to make?
 
            I intend to work on my one hospital installation from start to finish.  I also intend to finish one piece from last year that is ready to be assembled.  I also won a chronically ill and disabled artist grant from Suffering the Silence called We’re Still Here.  I will be making a smaller figurative piece to show and possibly sell for this grant!
 
What TECHNIQUES will you use?
 
            I will be creating a figure, not so closely focusing on hyper-realism, but more on form, expression and texture.  I want to think more about the emotion and feeling it evokes, instead of only wanting it to look realistic.  The hospital and doctor’s office experience brings lots of uncomfortable emotions that are far more important to the piece than how believable the figure appears.  I will be creating a bumpy, crumbling textured surface, including some cell forms that structurally make up the piece.  I will then take this ceramic piece after being fired and focus on the found objects and materials that make up the hospital environment.
 
What are your GOALS through making this work?
 
            My goal for this work is to express deep, chilling emotions that come from the experience of hospitals which disabled, and chronically ill people experience.  My goal is always to preserve these disabled experiences, show our community’s resilience, and show a side that disabled people experience so frequently, that others may have no idea about.  I also want a successful portfolio piece that shows the different materials that I can use together.

For my final project this semester, I want to build off of what I created at houseguest and mix a ceramic figure, crocheting, and printmaking.  I am wanting to focus on the digestive system, as well as the figure in a doctor's office environment.  The tissue above is stomach lining, which will be printed on fabric, and the digestive system will be crocheted and sitting inside the ceramic figure.

The other photo is of smaller in progress projects that are getting me to think about cells, form, and growth.

This week I focused on assembling my piece and adding in the last element of printed fabric.  We focused on setting up the show, as well as making an online version for people who cannot make it in person.  View online show here.

I am starting to work with fibers for this project for our Houseguest Show.  The intention with this part of the project is to connect the pelvis ceramic parts and the figure ceramic piece together with yarn fiber and tension.  The yarn will act as internal muscle and tissue that connect these body parts together, which are also the root of the pain in my personal experience.  

I got some good photos of me with my figure as I loaded it into a kiln to dry.  After that is bisquing and firing it in a gas kiln!  This figure will be apart of my Houseguest show!  Houseguest is a gallery in Louisville, KY.  My advanced ceramics class including BFA and Post-Bacc students will be showing work together!  More posts and photos to come!

I am so excited to announce this show I curated!  I'm really happy with how it came together, and now want to continue doing exhibitions and creating opportunities (hopefully with monetary prizes) for all kinds of marginalized artists.

About Silent Stories
Silent Stories was created with the intention to let those with marginalized identities speak about their experiences through art. This show is meant to be a collective work of many “silenced” voices in the art community. This show will promote and give voice to those stories, that no longer remain invisible.  This collection has turned into a worldwide voice for people with disabilities, people of color, and women.​

This particular collection revolves around the figure, the body, and the work's relation to its maker and the pandemic world we all live in today.
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​Created, curated, and juried by Carly Riegger